![]() ![]() 3 in the ‘Five Options’ calligraphy tutorialĬARTRIDGE, REFILL OR 'FOUNTAIN' CALLIGRAPHY PENS it's just that I only ever buy the cheap ones for practice/rough layouts. Having dissed marker ink above, I will admit that a slightly higher quality marker can produce sharp, crisp lines with little smudging. ![]() Keep the pen pointing out to the front and left at around 45 degrees, and move your hand to form ‘ribbons’ on the page while keeping the pressure light and constant. Pressure is separate from pen-angle (see the ' three basic skills' calligraphy tutorial page). Don’t let either nib-corner lift, and don’t press too hard. That’s the contact you want to maintain when writing. Lightly rest all the end-width of the nib on the paper and rock it slightly: can you feel when one corner leaves the paper while the other is still touching it?Īgain touch the paper with the full width of the nib so that both corners are down on the paper. Touch one corner of the nib to the paper, then the other, to see how it feels. Try instead to sense a light, clinging contact with the page which comes up through the nib into the pen and your fingers. Felt-tips soften and splay under pressure. The best advice you’ll get on using felt-tip calligraphy pens is just this:Īll too often, beginning calligraphers in a real-life calligraphy tutorial make the mistake of pressing harder. (Then you can get a goose quill and some real parchment.) (Cheerful that stuff may be – cheap it certainly is not.) I recommend ordinary paper for use with your cheap pens until you’re feeling more luxurious. it does look nice but I am not a fan of using it for practice. Re paper: felt-tips work fine on printer paper. It’s helpful to have at least two for messing about with: one should be broad (3-5mm) and one rather finer (1.5-2mm). And cheap.Īll you need is the pen itself and some paper. but they are still wonderfully convenient, and available. These are wonderfully convenient, readily available, cheap-and-cheerful tools.īear in mind that their ink usually fades with time, their ‘thin’ lines soak in too heavily, they damage easily and go fluffy under pressure, they run out in a matter of hours (it seems), you would never use them for a professional or important piece of work. 2 in the ‘Five Options’ calligraphy tutorial There are three separate skills there: pen angle is one direction of hand movement is another pressure on the page is a third. If you are not sure about pen-angles and exactly how to produce ‘thick-and-thin’ effects, have a look at the different movements and directions involved. If you keep the pencils pointing in the same direction but move your hand in circles, you’ll find thick-and-thin ‘ribbons’ happening on your page. Now, move your hand and you’ll draw a double line. Keep both pencil points pressed lightly upon the paper keep them pointing forwards and left. The distance between the pencil points now forms an ‘invisible nib’. Point it front-left, at about 45 degrees. Fasten the other end with the other rubber band.Īt your calligraphy desk, hold the double pencil as for writing. ![]() Adjust the points so they are again aligned. Fasten them securely with a rubber band at one end. Rest the pencils together vertically point-down on a flat surface, so their points are exactly level. When the shaved sides are positioned adjacent, the pencil points come closer together, giving a narrower ‘nib’. ![]() If possible, first carefully shave a little off one side of each pencil. You’ll need two sharpened pencils and two rubber bands. Double pencils can also be used to lay out large lettering for banners, posters etc. The double-pencil is a simple but surprisingly useful tool for understanding the construction of calligraphic letters. 1 in the ‘Five Options’ calligraphy tutorial (For how to write a particular script, try out the calligraphy alphabets page.)Īlready confident using a nib or brush? Surprise yourself with a fresh understanding of letter forms when you try a couple of the alternatives below. Different tools and techniques suit different people, so have a go with all of them if and when you can. This calligraphy tutorial outlines five easy ways to get a new ‘feel’ for calligraphic lines and letterforms. Colour temperature for calligraphy and artĬalligraphy tutorial: five options for creating calligraphy. ![]()
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